View the Table of Contents.
Read the Introduction.

"Nelson presents the tip of the iceberg of the history of the involvement of women of color, specifically, African-American women and Latinas in the movements for rights."--"Conscience"

"This book is an important contribution to the growing reexamination of the women's health movement. This is a useful book, an interesting book, a book that tells our history."--"Politics, Social Movements, and The State"

While most people believe that the movement to secure voluntary reproductive control for women centered solely on abortion rights, for many women abortion was not the only, or even primary, focus.

"A valuable contribution."
--"Feminist Collections"

Jennifer Nelson tells the story of the feminist struggle for legal abortion and reproductive rights in the 1960s, 1970s, and early 1980s through the particular contributions of women of color. She explores the relationship between second-wave feminists, who were concerned with a woman's right to choose, Black and Puerto Rican Nationalists, who were concerned that Black and Puerto Rican women have as many children as possible "for the revolution," and women of color themselves, who negotiated between them. Contrary to popular belief, Nelson shows that women of color were able to successfully remake the mainstream women's liberation and abortion rights movements by appropriating select aspects of Black Nationalist politics--including addressing sterilization abuse, access to affordable childcare and healthcare, and ways to raise children out of poverty--for feminist discourse.

"This is a startlingly original collection, challenging readers to think well beyond normative contours of the literary text toward a living art of the embodied sign. A significant contribution to literary, performance, and Deaf culture studies, "Signing the Body Poetic" will make us all see differently."--Della Pollock, editor of "Remembering: Oral History Performance"
""Signing the Body Poetic" is both a book and an event--a long-anticipated work that questions and recasts some of our most embedded definitions of poetry and other language arts. The work of several generations of signing poets has made a place for gesture that eliminates once and for all the hegemony of the spoken word as the single determinant of poetry and language performance. That is the accomplishment analyzed and celebrated in these pages and in the accompanying DVD that clearly shows the work at hand."--Jerome Rothenberg, coeditor of "Poems for the Millennium: The University of California Book of Modern and Postmodern Poetry"
""Signing the Body Poetic" is the first major scholarly work to celebrate and theorize American Sign Language artistic expression, ranging from poetry to theater and film. A must for anyone interested in contemporary poetry, drama, or literary theory."--Lennard J. Davis, editor of "The Disability Studies Reader"
""Signing the Body Poetic" brings new and productive dimensions to the phrase 'body of literature.' This impressive collection details the aesthetics, the epistemological importance, and the cultural life of American Sign Language literature in clear, accessible prose. Close analyses of key texts in/as performances are enhanced by the accompanying DVD, itself aninvaluable resource. This collection will be useful for scholars and general readers interested in the complexities of literary production and reception."--Judith Hamera, author of "Opening Acts" and editor of "The Sage Handbook of Performance Studies"
"This collection is as unique as ASL, merging linguistics, nonverbal communication, and performance both in the content of the chapters and in its form (text and DVD). Unlocking the performative dimension of ASL, it merges disciplines, communicative forms, and channels while demonstrating that our ability to communicate is not limited by the organs we use to do so but only by our ability to perform."--Michael L. Hecht, coeditor of "Redefining Culture: Perspectives across the Disciplines"

In 1948, the Constitution of the World Health Organization declared, "Health is a state of complete physical, mental and social well-being and not merely the absence of disease or infirmity." Yet this idea was not predominant in the United States immediately after World War II, especially when it came to women's reproductive health. Both legal and medical institutions-and the male legislators and physicians who populated those institutions-reinforced women's second class social status and restricted their ability to make their own choices about reproductive health care. In More Than Medicine, Jennifer Nelson reveals how feminists of the '60s and '70s applied the lessons of the new left and civil rights movements to generate a women's health movement. The new movement shifted from the struggle to revolutionize health care to the focus of ending sex discrimination and gender stereotypes perpetuated in mainstream medical contexts. Moving from the campaign for legal abortion to the creation of community clinics and feminist health centers, Nelson illustrates how these activists revolutionized health care by associating it with the changing social landscape in which women had power to control their own life choices. More Than Medicine poignantly reveals how social justice activists in the United States gradually transformed the meaning of health care, pairing traditional notions of medicine with less conventional ideas of "healthy" social and political environments.

This book is open access and available on www.bloomsburycollections.com. It is funded by Knowledge Unlatched. Women's Activism and "Second Wave" Feminism situates late 20th-century feminisms within a global framework of women's activism. Its chapters, written by leading international scholars, demonstrate how issues of heterogeneity, transnationalism, and intersectionality have transformed understandings of historical feminism. It is no longer possible to imagine that feminism has ever fostered an unproblematic sisterhood among women blind to race, ethnicity, class, sexuality, nationality and citizenship status. The chapters in this collection modify the "wave" metaphor in some cases and in others re-periodize it. By studying individual movements, they collectively address several themes that advance our understandings of the history of feminism, such as the rejection of "hegemonic" feminism by marginalized feminist groups, transnational linkages among women's organizations, transnational flows of ideas and transnational migration. By analyzing practical activism, the chapters in this volume produce new ways of theorizing feminism and new historical perspectives about the activist locations from which feminist politics emerged. Including histories of feminisms in the United States, Canada, South Africa, India, France, Russia, Japan, Korea, Poland and Chile, Women's Activism and "Second Wave" Feminism provides a truly global re-appraisal of women's movements in the late 20th century.

Anxious about the threat of Ottoman invasion and a religious schism that threatened Christianity from within, sixteenth-century northern Europeans increasingly saw their world as disharmonious and full of mutual contradictions. Examining the work of four unusual but influential northern Europeans as they faced Europe’s changing identity, Jennifer Nelson reveals the ways in which these early modern thinkers and artists grappled with the problem of cultural, religious, and cosmological difference in relation to notions of universals and the divine. Focusing on northern Europe during the first half of the sixteenth century, this book proposes a complementary account of a Renaissance and Reformation for which epistemology is not so much destabilized as pluralized. Addressing a wide range of media—including paintings, etchings and woodcuts, university curriculum regulations, clocks, sundials, anthologies of proverbs, and astrolabes—Nelson argues that inconsistency, discrepancy, and contingency were viewed as fundamental features of worldly existence. Taking as its starting point Hans Holbein’s famously complex double portrait The Ambassadors, and then examining Philipp Melanchthon’s measurement-minded theology of science, Georg Hartmann’s modular sundials, and Desiderius Erasmus’s eclectic Adages, Disharmony of the Spheres is a sophisticated and challenging reconsideration of sixteenth-century northern European culture and its discomforts. Carefully researched and engagingly written, Disharmony of the Spheres will be of vital interest to historians of early modern European art, religion, science, and culture.

This book is open access and available on www.bloomsburycollections.com. It is funded by Knowledge Unlatched. Women's Activism and "Second Wave" Feminism situates late 20th-century feminisms within a global framework of women's activism. Its chapters, written by leading international scholars, demonstrate how issues of heterogeneity, transnationalism, and intersectionality have transformed understandings of historical feminism. It is no longer possible to imagine that feminism has ever fostered an unproblematic sisterhood among women blind to race, ethnicity, class, sexuality, nationality and citizenship status. The chapters in this collection modify the "wave" metaphor in some cases and in others re-periodize it. By studying individual movements, they collectively address several themes that advance our understandings of the history of feminism, such as the rejection of "hegemonic" feminism by marginalized feminist groups, transnational linkages among women's organizations, transnational flows of ideas and transnational migration. By analyzing practical activism, the chapters in this volume produce new ways of theorizing feminism and new historical perspectives about the activist locations from which feminist politics emerged. Including histories of feminisms in the United States, Canada, South Africa, India, France, Russia, Japan, Korea, Poland and Chile, Women's Activism and "Second Wave" Feminism provides a truly global re-appraisal of women's movements in the late 20th century.

Discover the remarkable stories behind some of the most popular film music of all time; From Jurassic Park to The Lord of the Rings, Vertigo to Titanic, a powerful score can make a movie truly extraordinary. The alchemy between composer and director creates pure cinematic magic, with songs and melodies that are instantly recognisable and eternally memorable. So what is their secret?; Saturday Night at the Movies goes behind the scenes to reveal twelve remarkable partnerships, and how they have created the music that has moved millions. Discover how these collaborations began and what makes them so effective: the dynamic personalities, the creative chemistry, the flashes of genius. The best scores come from sound and image working together to bring the director's vision to life, but many scores also stand alone as towering achievements of composition that have shaped the face of modern music.; Featuring such luminaries as Alfred Hitchcock and Bernard Herrmann, Christopher Nolan and Hans Zimmer, and James Horner and James Cameron, Saturday Night at the Movies explores the creation of film favourites such as Back to the Future, Fargo, Edward Scissorhands and many, many more.; Includes:; J.J. Abrams & Michael Giacchino; Kenneth Branagh & Patrick Doyle; Tim Burton & Danny Elfman; James Cameron & James Horner; The Coen Brothers & Carter Burwell; Alfred Hitchcock & Bernard Herrmann; Peter Jackson & Howard Shore; David Lean & Maurice Jarre; Sam Mendes & Thomas Newman; Christopher Nolan & Hans Zimmer; Steven Spielberg & John Williams; Robert Zemeckis & Alan Silvestri

In 1948, the Constitution of the World Health Organization declared, "Health is a state of complete physical, mental and social well-being and not merely the absence of disease or infirmity." Yet this idea was not predominant in the United States immediately after World War II, especially when it came to women's reproductive health. Both legal and medical institutions-and the male legislators and physicians who populated those institutions-reinforced women's second class social status and restricted their ability to make their own choices about reproductive health care. In More Than Medicine, Jennifer Nelson reveals how feminists of the '60s and '70s applied the lessons of the new left and civil rights movements to generate a women's health movement. The new movement shifted from the struggle to revolutionize health care to the focus of ending sex discrimination and gender stereotypes perpetuated in mainstream medical contexts. Moving from the campaign for legal abortion to the creation of community clinics and feminist health centers, Nelson illustrates how these activists revolutionized health care by associating it with the changing social landscape in which women had power to control their own life choices. More Than Medicine poignantly reveals how social justice activists in the United States gradually transformed the meaning of health care, pairing traditional notions of medicine with less conventional ideas of "healthy" social and political environments.

Technology may not be a magic wand, but innovative technology programming can genuinely help children become adept at navigating our increasingly wired world while also helping them develop deductive reasoning, math, and other vital literacy skills. One of the simplest and most powerful tools for technology-based public library programming is called Scratch. It's a free, easy-to-use programming language that can be used to create everything from 3-D animation and graphics to music-enhanced presentations and games. This book * Explains how to use Scratch, and how it has already been used in libraries around the country to create technology workshops for youth * Guides readers through workshop planning, focusing on targeting youth ranging from teens to younger elementary students * Presents advocacy tools so that organizers can make the case to their insitution's managers, administrators, and other stakeholders * Provides reliable and field-tested techniques for time management, locating and training volunteers (teen and adult), and identifying and working with community partners * Includes workshop templates as well as sample participant evaluation checklists Storytimes for the digital age, technology-based workshops are important opportunities for supplementing and complementing education for all youth; this book fosters a different kind of thinking about what literacy in the 21st century really entails.

Anxious about the threat of Ottoman invasion and a religious schism that threatened Christianity from within, sixteenth-century northern Europeans increasingly saw their world as disharmonious and full of mutual contradictions. Examining the work of four unusual but influential northern Europeans as they faced Europe’s changing identity, Jennifer Nelson reveals the ways in which these early modern thinkers and artists grappled with the problem of cultural, religious, and cosmological difference in relation to notions of universals and the divine. Focusing on northern Europe during the first half of the sixteenth century, this book proposes a complementary account of a Renaissance and Reformation for which epistemology is not so much destabilized as pluralized. Addressing a wide range of media—including paintings, etchings and woodcuts, university curriculum regulations, clocks, sundials, anthologies of proverbs, and astrolabes—Nelson argues that inconsistency, discrepancy, and contingency were viewed as fundamental features of worldly existence. Taking as its starting point Hans Holbein’s famously complex double portrait The Ambassadors, and then examining Philipp Melanchthon’s measurement-minded theology of science, Georg Hartmann’s modular sundials, and Desiderius Erasmus’s eclectic Adages, Disharmony of the Spheres is a sophisticated and challenging reconsideration of sixteenth-century northern European culture and its discomforts. Carefully researched and engagingly written, Disharmony of the Spheres will be of vital interest to historians of early modern European art, religion, science, and culture.

View the Table of Contents.
Read the Introduction.

"Nelson presents the tip of the iceberg of the history of the involvement of women of color, specifically, African-American women and Latinas in the movements for rights."--"Conscience"

"This book is an important contribution to the growing reexamination of the women's health movement. This is a useful book, an interesting book, a book that tells our history."--"Politics, Social Movements, and The State"

While most people believe that the movement to secure voluntary reproductive control for women centered solely on abortion rights, for many women abortion was not the only, or even primary, focus.

"A valuable contribution."
--"Feminist Collections"

Jennifer Nelson tells the story of the feminist struggle for legal abortion and reproductive rights in the 1960s, 1970s, and early 1980s through the particular contributions of women of color. She explores the relationship between second-wave feminists, who were concerned with a woman's right to choose, Black and Puerto Rican Nationalists, who were concerned that Black and Puerto Rican women have as many children as possible "for the revolution," and women of color themselves, who negotiated between them. Contrary to popular belief, Nelson shows that women of color were able to successfully remake the mainstream women's liberation and abortion rights movements by appropriating select aspects of Black Nationalist politics--including addressing sterilization abuse, access to affordable childcare and healthcare, and ways to raise children out of poverty--for feminist discourse.

Glamour. Cosmo. SELF. Ladies' Home Journal. Vogue. In an industry that has been in a downward spiral for years, these magazines--and other women--focused magazines like them--have not only retained their readership, they've increased it. Every month, five million-plus women peel back the slick cover of their favorite magazine to thumb through pages filled with tidings and advice about fashion, beauty, sex, relationships, dieting, health, and lifestyle. But do women's magazines offer valuable information, or do they merely peddle fluff and fantasy--and in either case, do women take their messages to heart?
In Airbrushed Nation, Jennifer Nelson--a longtime industry insider--exposes the naked truth behind the glossy pages of women's magazines, both good and bad. Nelson delves deep into the world of glossies, explaining the ways in which these magazines have been positive for women, highlighting the ways in which their agendas have been misguided, and asking the questions that have long gone unasked: What do women think and believe about the retouched photos, the ubiquitous sex advice, the constant offensive on aging, and the fantasy fashion spreads featuring unaffordable clothing and accessories? Do the unrealistic ads, images, and ideals that permeate glossies damage women's self-esteem . . . and is it intentional?